The Long Now (series)


pencil on board, oil on well prepared canvas, small.

Dodecaedron



Thoughts on basic forms.
Floating paper object, dimensions: secret

Travel and don't write it down.1

1. Literary Eclipses, Robert Derain

New Publication





Wooden Star presents:
Item 244/3060x3670, Rectification of a state of affairs
Book 20pages, 14.80x21.00 cm
200 numbered copies.
Orders here.


On Exactitude in Science




... In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it. The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast Map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of that Map, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Disciplines of Geography.
Suárez Miranda, Viajes de varones prudentes, Libro IV, Cap. XLV, Lérida, 1658

Borges, J. L. 1998. On exactitude in science. P. 325, In, Jorge Luis Borges, Collected Fictions (Trans. Hurley, H.) Penguin Books.

J. L. Borges' photo by Diane Arbus

Two doors

Velasquez's The Surrender of Breda

Prado Museum
dimensions: 3.06mx3.67m

Breda Museum

Item #244/3060x3670
Breda Museum
Acrylic on canvas, 3.06mx3.67m


Naive Set Theory(drawing)

Private Algebra
Notes, thoughts and studies.
pencil on paper, 29x21cm

Item No 244/ 3060 x 3670


Item No 241 /3060 x 3670
Acrylic on traditionally prepared canvas, 3.06 x 3.67m
Breda Museum, July-August 2010

A greyish monochrome painting faces the copy of Velasquez’s Surrender of Breda in Breda Museum. This painting can have the exact dimensions of the famous painting, when the copy not. The selected tone of grey is the average color(1) of the official picture that Prado Museum provides for Velasquez’s painting.
(1)given by software

En

En, framed drilled paper 11x17cm
(part of the Ginkgo installation in Leuven)

The fourth column from the Sun

The fourth column from the Sun, two-piece ceramic 70x26x40cm
(as were shown in Kunstvlaai 2010, Amsterdam)

Enjoy Property

Enjoy Property(post poverty), drawing with charcoal, fixed with masticha 70x100cm

Chicago Talks




Chicago Talk, Threewalls gallery(3/5/2010).
Discussion on Research, trip to Texas, hell gates, education in New Mexico.

Visible work at C-Tas

One visible work at (C)Tas, Chicago.
Paper, pins (simple, orange)and pencil on the wall.
Well hidden work at (C)Tas, Chicago.
A4/ Letter size drawings, domestic calendars exposed on western sunlight.
private views till May the 5th.

Invitation for the Ginkgo project in Leuven, March 2010

146% Ginkgo


+146% Ginkgo, oil on canvas 38x30cm
B.E. Shutov Assembly, 1992.
Electronic painting.
Hollowing.
40% back.



*ten months of guest keeping*
book presentation at De Pont Museum.
Wed. 3rd February 2010, at 15:00

Two Ginkgos- female(L), male(R). Leuven stadspark.

chablon making, 's-Hertogenbosch, 2010

the 4th column from the sun, de kantoor, Antwerpen, 2010