Untitled(kabala_sylow), 2020, oil on fabric, 35x45cm

Untitled(Veteika 1-7)

Untitled(veteika 1-7), 7 works, oil on fabric, 35x45cm each. Manually stereoscopic views of a stone collected at the sources of river Glafkos

Untitled(poly sylow)


Untitled(poly-sylow), 2020, 7 works variable dimensions, oil on fabric.

Self generating system of colored dots. Studio based work. Oblique order.


, 2019, 100x120cm oil and acrylic on fabric.



Annuntiatio-Aemulatio, 2020, 30x40cm oil on fabric


 Untitled(P=thek), 2020, oil on fabric 35x45cm


untitled(abelian), 2020
oil on fabric, 35x45cm


untitled(5_sylow), untitled(1_sylow), 2020
oil on fabric, 41x30cm each

Algèbre symptomatique

Algèbre symptomatique, 2019
silkscreen on PVC, 80x100cm each, suggested diptych

Algebra is the part of Mathematics, which unifies and organizes all other disciplines (Calculus, Geometry, Statistics, etc). Therefore, it is simple in its construction and the tools that it uses. 
The work “Symptomatic Algebra/Algèbre symptomatique” is two diagrams of bone joints, which draw back to the original meaning of the word “algebra” in Arabic, when the meaning was referred to the surgical procedure of setting broken or dislocated bones, thus broken pieces.

(text for coming show)

sonorous ben

Untitled(sonorous ben), 2019 mixed media on fabric, 120x100cm

Parietal tune, Βρεγματικό Μέλος

"parietal tune", a work for the group show "The Summer is the opposite of History"
curated by Despina Zefkili, Marpissa, Paros, 23-25/9 2019
with Anthi Daoutaki, Natalie Yaxi and Thomas Tsalapatis

Yiannis Papadopoulos, “parietal tune”, 2019, sound study and reproduction, road signs. In collaboration with Fanouris Petropoulos. Technical guidance Yiannis Mourjopoulos.
In the context of the exhibition, Yiannis Papadopoulos collaborated with Fanouris Petropoulos and they recorded the behaviour of the tsampouna inside a cave of Marpissa. An attempt is made to study the cavity of a cave and the cavity in the human skull that hosts the parietal lobe, which is responsible for the occurence of intentional movements, the use of objects and the synthesis of information. The artist highlights on the existing signage of the festival’s Routes his own route that leads to the point of the sound reproduction.

"βρεγματικό μέλος" ένα έργο για την ομαδική έκθεση "Το καλοκαίρι είναι το αντίθετο της Ιστορίας" σε επιμέλεια της Δεσποινας Ζευκιλή, Μάρπησσα Πάρου, 23-25/9 2019 συμμετέχουν ακόμα Ανθή Δαουτάκη, Ναταλία Γιαξή, Θωμάς Τσαλαπάτης.

Γιάννης Παπαδόπουλος, “βρεγματικό μέλος”, 2019, ηχητική σπουδή και αναπαραγωγή, σήμανση χώρου. Σε συνεργασία με τον Φανούρη Πετρόπουλο. Τεχνική καθοδήγηση από τον Γιάννη Μουρτζόπουλο. 
Για την έκθεση o Γιάννης Παπαδόπουλος συνεργάστηκε με τον Παριανό οργανοπαίχτη Φανούρη Πετρόπουλο και ηχογράφησαν τη συμπεριφορά της τσαμπούνας μέσα σε ένα σπήλαιο της Μάρπησσας. Επιχειρείται μια σπουδή της κοιλότητας ενός σπηλαίου και της κοιλότητας στο ανθρώπινο κρανίο που φιλοξενεί τον βρεγματικό λοβό, ο οποίος είναι υπεύθυνος για την εκδήλωση ηθελημένων κινήσεων, χρήση αντικειμένων και σύνθεση πληροφοριών. Ο καλλιτέχνης επι-σημαίνει πάνω στην υπάρχουσα σηματοδότηση των Διαδρομών του φεστιβάλ μια δική του προτεινόμενη διαδρομή που οδηγεί στο σημείο της ακρόασης.  

the book of stones at Kalfayan gallery, Athens

views from the gallery show
works depicted(top to bottom):
Negotiation #1, #2, #3, paper, dimension variable
Untitled(big cyan) and Untitled(magenta and yellow), oil on fabric
Untitled(magenta and yellow) and After gourds, Gourds fragment, oil on carton
Untitled(tri-pnevm, di-pnevm), oil and paper on fabric

the world according to Kosmas Indikoplefstes with Nikos Kavvadias' tattoo

an encounter of greek poet Nikos Kavvadias(who spend his life as a sailor) with Kosmas Indikoplefstes' (voyager 6c. AD) manuscript at Sinai.

porcelain and woodcut print on board

spoor 7, gare du midi, brussels

detail from "Messonission", spoor 7, Gare du midi,
curated by Piero Bisello

"tri-pnevm, di-pnevm", 2019,  diptych, oil and collage on canvas 190x120cm 


"intersection i&iv", 2019, oil on fabric, 100x120cm
private collection Greece

new work

the book of stones, το βιβλίο των λίθων

There are intellectual activities where it is not the big books but the short monographs or articles that constitute a man’s proud achievement. If someone were to discover, for instance, that under hitherto unobserved circumstances stones were able to speak, it would take only a few pages to describe and explain so earth-shattering a phenomenon.

from Robert Musil’s The man without qualities, p. 264

studio work

oil on cardboard, 30x30cm
private collection, Germany

studio work

new algebra of things(study)

triptych portrait of omar khayyam +


syntactical exercises

WIELS residency program

working at WIELS residency program, July-December 2018

Ηabent sua fata libelli (Pro captu lectoris ), EMST 2018

Habent sua fata libelli (Pro captu lectoris ) literally:Books have their destiny (According to the capabilities of the reader)photos by Sarah De Wilde

algebric regression

porcelain casted objects
study on material exhaustion and physical regression

polis, actopolis

polis-police-police de caractère
text based work, egg tempera on wall
front plane work by Kostis Velonis, on the corner work by Natasa Biza

Actopolis, Athens 2017
exhibition curated by Elpida Karaba and Glykeria Stathopoulou (PAT)
organized by Goethe institute, Athens

3-16/11/2017 exhibition hall of Athens School of Fine Arts

new algebra of things

new algebra of things,
porcelain casted object, exact dimensions

for Spyropoulos' foundation at Museum Vorres

installation view
on the right: Figure of Speech A and Figure of Speech A through B
oil on canvas 80x100cm (each)
on the left: work by Xenophon Bitsikas


a+, 2017
acrylic on dyed fabric 29x41cm
private collection, Greece


Ocarina, woodcut, 40x50cm
 egyptian goddess Nut, Nuit, Night, Νύχτα

figures of speech #71, #72

figures of speech #71, #72
suggested dyptich
stretched cotton, acrylic, 80x100cm each
private collection, Greece

offset choices

light conditioning at ISET, Athens


Anelixis, OMBLOS 2017

door handle ISET

welcome, OMBLOS 2017
photo also published at http://avgi-anagnoseis.blogspot.gr/2017/04/blog-post_15.html
(Greek text)

Asynchronous 4a, 4b

boxed research boards, diptych, mixed media
(77x107cm each)
private collection

review of the exhibition Perished Sun

review of the exhibition Perished Sun at Kalfayan galleries
written by Maria Nicolacopoulou for Frieze

Figures of Speech #54, #55

Figures of Speech #54, #55, oil paint on well prepared canvas
as they are shown at Kalfayan galleries for Perished Sun exhibition
with Kostis Velonis, Panos Tsagaris